At a casino, an unnamed woman leans over to Vivian, who’s scoping out the slot machines, and says that if one doesn’t play, one doesn’t win. Take that as the mantra of Desert Hearts, which advocates risk and consciousness in tandem as the only means to overcome the cold, repressive hand of so-called normative thought
— Clayton Dillard, Slant Magazine
This film is a part of our OUT Here series.
Director: Donna Deitch
Donna Deitch’s swooning and sensual first film, Desert Hearts was groundbreaking upon its 1986 release: a love story about two women, produced and directed by a woman. In the 1959-set film, an adaptation of a beloved novel by Jane Rule, straitlaced East Coast professor Vivian Bell arrives in Reno to file for divorce, but winds up catching the eye of someone new, the younger free spirit Cay (Patricia Charbonneau), touching off a slow seduction that unfolds against the breathtaking desert landscape. With smoldering chemistry between its two leads, an evocative jukebox soundtrack, and vivid cinematography by Robert Elswit, Desert Hearts beautifully exudes a sense of tender yearning and emotional candor.